Myf explained that her parents didn’t let her have toys that were based off of pop culture, in order for her to develop her own imagination. Thus, when she spontaneously runs out to grab coffee in the creative combination of an Ohne Titel multi colored knit cardigan and a patchwork sheepskin coat tied around her waist, with only her tye dyed boys underwear underneath, it looks so good that she ends up staying in the ensemble for the rest of the day and night, while doing her usual meandering around the city. I love how she wears her roommate’s button down shirts as skirts as well and how everything gets her signature written all over it, like her tie-dyed Ksubi jeans.

Interesting conversation is what Myf most admires in another person and it is almost as if she is seamlessly conversing her expression with the world through everything she touches. This can be seen in her artwork, which mostly depicts her friends who she paints because she loves them “to death,” or the morphing of an outfit form one day to the next, deriving from things that her peers have left at her place or traded with her. Buying clothes for Myf is rare, except for the occasional Indian dress from a store where the owner, who has a crush on her, gives her a discount.

Myf gets her independent spirit from her mom who presently lives in Tazmania (Myf is from Australia), in the middle of the forest in a house that is entirely self sufficient, equipped with solar panels, water tanks, dams, a vegetable garden and fruit trees. In the tapestry of a Phillip Lim floral cowboy shirt with fringe, royal blue shorts from Where Romance Was Born, cuffs and a scarf from India and a linen duster, Myf says of her mom, “She does pretty much whatever she wants to… and I am much the same as she, just 30 years later.”

If you love Myf, you may also like Susan Cianciolo, Gerald DeCock and Alia Penner.

In what Maad refers to as her James Dean meets Madonna look, she wears black leather shorts with over the knee socks, a fringe shirt and one of her many black leather studded jackets. Like one of her tattoo’s that is an ode to the Maya Angelou poem, The Caged Bird, Maad finds her ultimate freedom in her voice as a singer/songwriter. Her song Glitter is a reference to Maad’s fashion icons and the spirit of NYC of the 80′s. However, one cannot see her pitch black “Queen Nefertitti” bob and not recognize the monumental influence of Diana Ross on Maad’s style. Maad’s long silk vintage dresses with cinched waistes and lots of leg, have glamour high priestess written all over them. But diva is all the more refreshing on Maad Moiselle for her humble aesthetics as well, which are exemplified in her classic Ernest Sewn jeans and Reformation colorful silk blouses that are accented with her signature MAC red lips and of course, monster Fendi wedges.

If you love Maad, you may also like Fatima Robinson, Mia Christiana and Jean Lebrun.

It’s always the ones who say they don’t want to pretend to be original who are. Margaux is part of the generation who grew up on Sex and the City and an obsession with Louboutins, but she feels of the status symbol shoes, “Je ne pas de tu.” Instead of kitschy plastic or diamond jewelry, she has a wrist of earthy gemstone bracelets and wears a long t-shirt dress with army boots or a hoodie and jeans with the effortless, edgy quality of a Stones girl. Adverse to “Upper East Side” culture, the aesthetics of a Jim Jarmusch film and the iconic lifestyle of the West Coast skateboarding community, chronicled in Lords of Dogtown, are more Margaux’s speed. Growing up with a rock n’ roll Mom and an art dealer Dad, pushing boundaries is in her comfort zone. Margaux is turning her renegade voice towards making music of her own, and she hopes to travel and see “everything in this world… I am always unsatisfied, I always want things bigger, bigger, bigger. It’s not good,” Margaux excitedly laments.

If you love Margaux, you may also like Krystal Simpson, Annakim Violette and Kenyon Phillips.

For its beautiful imagery and core family values, Maria is deeply rooted in Catholicism. The Virgin Mary is a backdrop to her current appetite for wearing lingerie as clothes, like her short ruffled bloomers with stacked loden Jeffrey Campbell heels with girly turquoise socks peeking out or a black bustier with vintage floral pants and it speaks to the juxtaposition of Maria’s heavenly, Lolita-esque appeal. Still enthralled with Where The Sidewalk Ends, her other favorite writers are Bukowski and Ginsberg for how straight-to-the-point they are, even if they are at times the darkest and harshest of literary icons. For Maria, their “knowing what love is” is what most attracts her most to their writing, “They embrace love even though they have been let down so much and are so bitter. I think that’s what’s so beautiful. I’m infatuated with the idea of having someone you can’t live without.”

If you love Maria, you may also like Scout Willis, Emily Bartley and Elizabeth Sweigart.

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Jazzy wears the support and love of her large and extensive family on her sleeve in a button-up shirt inherited from a step-grandfather, a Parliamentary barrister, which she wears as a dress. Under a classic Alexander Wang blazer with major 1970s-by-way-of-2011 Charlotte Olympia wedges, Jazzy makes a staid staple rock. She owns and wears many pieces from her grandmother, whom Jazzy describes as “the most beautiful woman” she’s ever seen, with “amazing long, black hair and piercing bright, blue eyes, she was always perfect, always immaculate with her makeup. With six sisters and two brothers on both sides of the ocean, one of the Jazzy’s biggest wishes is to have her entire family in one room, which has never happened as yet– but, for now, that room is not big enough in her East Village digs, where Jazzy studies acting in NYC.

If you love Jazzy, you may also like Gerard & Valeria, Krystal Simpson and Byrdie Bell.

If you love Marcelina, you may also like Ruthie Friedlander, Marika Wilson and Christina Mannatt.

At the unusually young age of sixteen, Karolina started to venture out into the world, modeling in places as far-reaching as South Africa, Spain, Athens, Paris and London. But despite her worldliness, she is as down to earth as can be, wearing no makeup with a uniform of “solid” high-waisted Levi’s jeans, the signature classic black sweater and hint of bohemian Tibetan hoop earring. Her mom’s comfort in her own natural skin has been a source of great inspiration to Karolina. Drawn both to the spiritual cloistering of a monk and the exploratory bent of a transient, Adam is similar to the two sides of the characters that make a whole in “Naricissus and Goldmund,” one of his favorite books by Herman Hesse. His style is elemental and authentic – most of what he wears is found during his travels and the pieces stick with him for their sentimental value, like the charm necklace that his mother gave him for Karolina that he wears, a found cardigan that his fiancée stitched for him, his first camera, sold to him by a friend for five dollars, which he still uses for his photography, and probably most of all, his unapologetic long locks of hair – he’s always felt that when he cut them for modeling, he lost a part of himself.

Karolina feels that the American Indian engagement ring Adam gave her says everything about the couple’s originality and never in your face style. Her years of traveling reveal the influence of tribal cultures, with her long animal print dress and piled-on eclectic jewels while he keeps it real and elegant in nautical stripes, white jeans and western shirts. “You have to find your stillness and peace and separateness within yourself to be independent and to be whole, to have that individuality, and also to be part of the whole experience of life,” Adam feels. And for Karolina, “It’s only the mind that sets limits.”

If you love Adam and Karolina, you may also like Dustin Hollywood, Rachel Ballinger and Angelica and Ben.

This same bravery and sense of uninhibited fervor goes for everything Irina does. She turned her passion for beat poetry and rhythmic literature into songs with the help of Pete Doherty when she collaborated with the Libertines at fourteen years old and today, among many other projects, she is designing her own line of clothes based on what she feels is a need for the quintessential women’s three-piece suit and she is jamming on stage with Sean Lennon and others with her new endeavor, Operation Juliet. Irina refers to her successes as “improvising,” but her talent and honesty are real and never more apparent than in her iconic sense of style. Her dad, who sometimes still speaks in whispers, an affectation left over from his past, had a resounding impact on Irina when he told her to be herself because everyone else is already taken. When you see her sprawled on a daybed in a couture hippie dress, extraordinary sheepskin bohemian coat and legit Mongolian boots, you get what a tasteful, cultured and confident free-spirit she is.

On any given day, it could be 1885 or 1929 when it comes to Irina’s distinct visual expression. She is an avid reader of books with details so vivid that one can imagine themselves in them, like Ernest Hemingway’s A Moveable Feast. The novel is about Paris in the ’30s and it’s as if Irina stepped out from the pages when she wears an embroidered princess coat and a long silk dress from the exact place and time of the legendary author’s book, paired with a turn of the century embroidered artist’s coat layered with a ’20s-inspired Chanel embellished headpiece. She is an amalgam of all of the characters in search of the perfect expression of their artistry in Woody Allen’s most recent film, Midnight in Paris. Irina has such a passion for the city of creativity and romance that she too walks around at night and writes at a bar on the top of Montmartre, where she listens to the stories of an old man who says that he is Ernest Hemingway. However, she would most likely be in the exquisitely beaded ’20s dress that she’d like to get married and buried in, but “hopefully not on the same day.”

Karl Lagerfeld’s excitement for the artists and muses of past centuries taught Irina most of what she knows about where to look for influence as a designer. But for me, Irina is of that stature herself with her eclectic doe-eyed androgyny. She not only wears a tie with a button-down shirt and glen plaid blazer à la Diane Keaton, but takes it to a level of hyper-diversity with jodphurs, a leather corset belt and a Greta Garbo-like hat. She rocks the masculinity of Katherine Hepburn in oversized Balenciaga palazzo pants, but with with the delicacy of a ’20s cloche hat and a checked vintage blazer. Following in the footsteps of her writer activist father and grandfather in an authentic military blazer over an Ossie Clarke dress, Irina thinks for herself. This is epitomized by her sense of outrage when someone criticized her in an article for not being afraid to wear the same thing twice: “the most ridiculous line ever written…I don’t know anybody who doesn’t wear the same thing twice.” When you have a soulful connection to everything in life, including your clothing, it’s not disposable.

If you love Irina, you may also like Emily Bartley, Elizabeth Burns and Oliver and Kira.

“It’s a bigger compliment to me to have girls walk up and tell me my style is cool than a man,” Kaylee says, so here it goes. I am still hoping to acquire (she promised to sell it to me) the black men’s cashmere sweater that she so artfully shredded. Her over the knee embroidered YSL boots that she wears with thick gray knit tights are monumental in a Russian princess kind of way, while her Balenciaga combat ones are seminal in their chic masculinity. I love the way she wears her select boot collection with short shorts and a unique vintage top, like the Dior canary yellow blouse with a giant bow on the back. According to Kaylee, although she likes moving forward, sometimes, “the only way to make things happen is to stand still.” It’s often within limitations that creativity is birthed.

If you love Kaylee, you may also like Sabrian Diaz, Vanna Youngstein, Masha Orlov and Natalie Toren.

If you love Liz, you may also like Alessandra Calabi, Erica Yarbrough and Jolieba Jackson.